It is a landscape looking up at the mountain. By changing the touch and stroke when drawing and overlapping the lines, I am pursuing a painting in which time and space are continuous. There is a concept of "San-en" in the perspective of the Orient. First, "Heien" looks far horizontally. "Deep" looks down from the summit to see the depth of the valley. "Kouen" looks up at the mountain from the foot of the mountain. It expresses the wind blowing up the slope of the mountain and the light passing by (Yamabe Yasushi). I made it in consideration of the connection with Leonardo da Vinci's storm drawing and Chinese landscape painting.