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Keith Vaughan: Works on Paper
from the collection of the Late John Constable, 16 - 27 February 2022

Keith Vaughan: Works on Paper: from the collection of the Late John Constable

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Open a larger version of the following image in a popup: Keith Vaughan, Festival Dancers, 1951

Keith Vaughan

Festival Dancers, 1951
lithograph printed in colours on wove paper
707 x 450 mm
Edition of 50 with unknown number of proofs
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The Artists International Association and School Prints Ltd published a portfolio of twenty-one Lithographic prints as part of a Festival of Britain celebrations. Their intention was to illustrate contemporary aspects...
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The Artists International Association and School Prints Ltd published a portfolio of twenty-one Lithographic prints as part of a Festival of Britain celebrations. Their intention was to illustrate contemporary aspects of British life. The images were printed by Miller's Press and distributed by J. Lyons & Co ( the restaurant-chai, food manufacturing and hotel corporation), the Redfern Gallery and Better Books Ltd. Their intention was to disseminate fine art and place it in public spaces. John Minton and William Scott also contributed to the project. Vaughan's Festival Dancers was included on the collection ate the affordable price of £4.4s The two dancers, eyes closed and arms raised echo each other's creating a rhythmic, animated composition. Their anatomy is condensed, simplified, in accordance with Vaughan's treatment of the male figures at this time. They appear to be naked and, since they have no represented genitalia, seem somewhat androgynous. The pose of the figures, far from being a random invention or a merely decorative design, actually signifies something specific. Arms extended above the dancer's heads in this manner, derive from ballet's so-called 'fifth position'. In classical choreography the gesture, executed with rolling hand movements, is used to signify that dance is about to commence. Vaughan, an extremely knowledgable balletomane, would have certainly known this.
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Provenance

From the Collection of Martyn Goff, Sotheby's Bond Street, London March 2016, Lot. 154, ill.colour

Exhibitions

Redfern Gallery, Summer Exhibition 1951 June-August 1951
Redfern Gallery, Jan-Feb 1986 British Prints; The Post-War Years 1945-60 with essay by Gordon Samuel, cat no.111
Osborne Samuel, Oct-Nov 2011 reproduced in colour, page 92

Keith Vaughan, ' Figure and Ground,' Catalog Ed. Colin Cruise, National Museum of Wales, Cardiff, July-Nov 2012, ill.full page in colour fig.36 cat.no.16

The Tessa Sidedy Gallery Aberystwyth University, Feb-March 2014., ill colour
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