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Winter Show

Past viewing_room
From 3 November until 3 January
  • Zuleika Gallery is excited to announce the opening of its Winter Show from 1 November 2021 - 8 January 2022. The selling exhibition will feature prints, paintings and ceramics by both established and emerging artists. With prices starting at £200, the exhibition will deliver affordable art by leading artists, catering for both the entry level collector and the connoisseur. We believe art should be accessible to all and are proud to run the Own Art scheme that allows interest free monthly payments through this government backed scheme. The exhibition will feature both figurative and abstract work and highlights include work by Lucian Freud, Howard Hodgkin, John Hoyland, Albert Irvin, Sean Scully and Emma Stibbon among others.

  • British contemporary artist, Patrick Hughes began his art career at Leeds Day College where he was encouraged to create and experiment. In the week that followed the end of his art course Patrick opened his first solo show at Portal Gallery in London which was an enormous success and was the first solo show by a Pop Artist, though they were not even called that then. A few years later, Hughes made two seminal reverse perspective works, Infinity and Sticking-out Room, shown with Angela Flowers Gallery in London. In the 1970s Hughes’ name became synonymous with rainbow paintings, which also became very popular as prints and as postcards; people enjoyed them as decoration, but for Hughes the rainbow represented a solid experience.

    More about Patrick Hughes

  • Patrick Hughes, Banksi, 2021
    Artworks

    Patrick Hughes

    Banksi, 2021

    This piece as been created in 2021 in homage to street artist Banksy. Hughes is an artist of international repute, whose work is held in collections worldwide. He is known for creating ‘Reverspective’ - the optical illusion of a three-dimensional surface in which the various parts of the image appear farthest away when they are actually physically at the nearest point.

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  • Howard Hodgkin (1932–2017) was one of England’s most celebrated contemporary painters and printmakers. Although based in memory, his work is visually abstract, and Hodgkin is known for his deep interconnection between gesture, colour, and ground. Hodgkin was a winner of the Turner Prize in 1985 and had great connections to Oxford. He was artist in residence at Brasenose College from 1975-76 and showed twice at Modern Art Oxford, in 1976 and 2010 respectively. His paintings and prints are held by most major museums including Tate, London; British Museum, London; Metropolitan Museum, New York; Museum of Modern Art, New York; Carnegie Institute, Pennsylvania and Louisiana, Denmark.

    • Howard Hodgkin, Julian and Alexis, 1977
      Artworks

      Howard Hodgkin

      Julian and Alexis, 1977
      Lithograph with hand colouring in green gouache
      69.8 x 101.6 cm
      27 1/2 x 40 in
      (Image and Sheet)
      Edition of 30
    • Howard Hodgkin, Window, 1976
      Artworks

      Howard Hodgkin

      Window, 1976
      Lithograph
      22 x 30.5 cm. (8 5/8 x 12 in)
    • Howard Hodgkin, Palm, 1976
      Artworks

      Howard Hodgkin

      Palm, 1976
      Lithograph
      22 x 30.5 cm. (8 5/8 x 12 in.)
      Edition of 60 (#40/60)
  • Wilhelmina Barns-Graham

    Wilhelmina Barns-Graham (1912 - 2004) was one of the foremost painters working in St Ives after moving there in 1940 and part of the legendary ‘Crypt Group’ that also included pioneers of British Modernism, Barbara Hepworth and Ben Nicholson.  Barns-Graham was a key member of the St Ives School, and considered the leading female painter in the St Ives movement. Her works contributed greatly to the development of Modernist British painting in the mid to late twentieth century. Her works are part of number of public collections including the Arts Council of Great Britain, Tate Britain, the British Museum and the Victoria and Albert Museum.

    • Wilhelmina Barns-Graham, November IV, 1991
      Wilhelmina Barns-Graham, November IV, 1991
      Wilhelmina Barns-Graham, November IV, 1991
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    • Wilhelmina Barns-Graham, Millennium Series Brown, 2000
      Wilhelmina Barns-Graham, Millennium Series Brown, 2000
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    • Wilhelmina Barns-Graham, Red Playing Games I, 2000
      Wilhelmina Barns-Graham, Red Playing Games I, 2000
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    • Wilhelmina Barns-Graham, Untitled (with White Spiral), 2002
      Wilhelmina Barns-Graham, Untitled (with White Spiral), 2002
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  • Albert Irvin RA, Star I, 1993
    Artworks

    Albert Irvin

    Star I, 1993

    Albert Irvin (1922 – 2015) was a British abstract expressionist painter who produced large scale exuberant paintings, screenprints, watercolours, and gouaches. His works appear in many public and private collections all around the world such as Art Gallery of New South Wales, Sydney, Australia; Arts Council of Great Britain; British Council; Chase Manhattan Bank; Chelsea and Westminster Hospital; Irish Museum of Modern Art, Dublin; Museum, Florida; Tate Gallery, London; Victoria and Albert Museum.

  • Sean Scully

    Abstract artist Sean Scully (b.1945) is mostly known for his abstract geometric paintings composed of grids, stripes and dark tones combined with soft edges and an irregular application of colours. His works are characteristically representations of memories of specific places and objects. Scully’s works are held in numerous collections including Tate Gallery, London, MoMA - The Museum of Modern Art, New York, and the Museo Nacional Centro de Arte Reina Sofía, Madrid.

  • Ellsworth Kelly and Alexander Calder

    Lithographs
    • Ellsworth Kelly, Orange, 2004
      Ellsworth Kelly, Orange, 2004
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    • Alexander Calder (1898-1976) was an American sculptor known for inventing wire sculptures and the mobile, a type of kinetic art which relied on careful weighting to achieve balance and suspension in the air by the use of currents alone.

      Alexander Calder (1898-1976) was an American sculptor known for inventing wire sculptures and the mobile, a type of kinetic art which relied on careful weighting to achieve balance and suspension in the air by the use of currents alone.

  • Peter Kinley

    • Peter Kinley, Seated nude
      Peter Kinley, Seated nude
      Available
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      Peter Kinley, Seated nude
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      £ 2,000 + ARR
    • Peter Kinley, Standing nude, 1958
      Peter Kinley, Standing nude, 1958
      Available
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  • Nigel Hall

    Nigel Hall studied at the West of England College of Art, Bristol from 1960 to 1964 and at the Royal College of Art, London from 1964 to 1967.  A Harkness Fellowship took him to the United States from 1967 to 1969. Hall has had many exhibitions around the world and has been widely collected.  His first tubular aluminium sculpture was made in 1970.  In subsequent years he explored the ways in which tubular construction alters the viewer’s perception of space.  This interest in the qualities of spatial construction was balanced by an equally strong pre-occupation with the particular sites his sculptures occupy.  His recent work has been less minimal in feel, tending towards stronger, more solid forms. A solo exhibition of his work was held at the Royal Academy in 2011.

    More about Nigel Hall

  • Emma Stibbon, Evening Light, Bergs
    Artworks

    Emma Stibbon RA

    Evening Light, Bergs

    Emma Stibbon RA (b. 1962) is a British artist born in Münster, Germany. Drawing is at the heart of Stibbon’s practice and she has travelled widely to some of the world's most isolated regions. Working from sketches and photographic records, Stibbon creates stark, monochrome works on paper that explore the effects of human intervention on natural phenomena and the fragility of existence. Stibbon observes ‘Despite their remoteness, many of the environments I work from are changing rapidly - as an artist I feel a sense of witness as this is happening in my lifetime.’

    Her works are held in many private and public collections such as the Laing Art Gallery, Newcastle; the Bristol City Museum and Art Gallery, Pallant House Gallery, Chichester; Potsdam Museum, and Victoria and Albert Museum, London.

    More about Emma Stibbon

    • Emma Stibbon, Crater
      Emma Stibbon, Crater
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    • Emma Stibbon, Vent
      Emma Stibbon, Vent
      Available
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      Emma Stibbon, Vent
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  • Figurative Works

    • Lucian Freud, Bella, 1982
      Artworks

      Lucian Freud

      Bella, 1982
      Etching
      14.8 x 13.4 cm (5 7/8 x 5 1/4 in) Plate
      17.1 x 21.6 cm (6 3/4 x 8 1/2 in) Sheet
      Edition of 25
    • Lucian Freud, Man Posing, 1982
      Artworks

      Lucian Freud

      Man Posing, 1982
      Etching
      69 x 54 cm (27 1/8 x 21 1/4 in) Plate
      Edition of 50 + 15 AP
  • Lucian Freud

    Lucian Freud (1922 – 2011) was a British figurative painter and regarded as one of the leading figurative portaitists of the 20th Century. He worked in a uncompromisingly confrontational style, and though probably best know for his work in paint, his etchings are also highly acclaimed. Lucian Feud works are held in many public collections such as Ashmolean Museum, Oxford; British Council Art Collection; British Museum, London and Royal Collage of Art, London, Metropolitan Museum of Art, and Museum of Modern Art, New York.

    • Jim Dine (b.1935) is an American artist and his works includes paintings, assemblages, sculptures, drawings, prints, and over twelve books of poetrythat. He played a key role in creating the first “Happenings” and thereafter was closely associated with the Pop Art movement. His diverse body of work defies such easy categorization, however, as it is also understood as seminal to Neo-Dada and Neo-Expressionism.

      Jim Dine (b.1935) is an American artist and his works includes paintings, assemblages, sculptures, drawings, prints, and over twelve books of poetrythat. He played a key role in creating the first “Happenings” and thereafter was closely associated with the Pop Art movement. His diverse body of work defies such easy categorization, however, as it is also understood as seminal to Neo-Dada and Neo-Expressionism.

      Available
      %3Cp%3EJim%20Dine%20%28b.1935%29%20is%20an%20American%20artist%20and%20his%20works%20includes%20paintings%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eassemblages%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Esculptures%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Edrawings%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eprints%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eand%20over%20twelve%20books%20of%20poetrythat.%20He%20played%20a%20key%20role%20in%20creating%20the%20first%20%26%238220%3BHappenings%26%238221%3B%20and%20thereafter%20was%20closely%20associated%20with%20the%20Pop%20Art%20movement.%20His%20diverse%20body%20of%20work%20defies%20such%20easy%20categorization%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ehowever%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eas%20it%20is%20also%20understood%20as%20seminal%20to%20Neo-Dada%20and%20Neo-Expressionism.%3C/p%3E
    • Richard Diebenrkorn (1922 – 1993) was an American painter. His early work is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. His later work (best known as the Ocean Park paintings) were instrumental to his achievement of worldwide acclaim.

      Richard Diebenrkorn (1922 – 1993) was an American painter. His early work is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. His later work (best known as the Ocean Park paintings) were instrumental to his achievement of worldwide acclaim.

      Available
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  • David Williams-Bulkeley, Sweet Peas
    Artworks

    David Williams-Bulkeley

    Sweet Peas

    David Williams-Bulkeley (b.1973) is British artist who now lives in Boston, New England and counts John Singer-Sargent and James McNeill Whistler among his strongest influences.  Like them, he has worked in several genres - as a painter of portraits, still life and landscapes.  His paintings exude a sense of luxury and are characterised by their visual harmony.  Williams-Bulkeley is, with the lightest of touches, able to describe the most beautiful objects and landscapes with an exquisite sensitivity.  Possessor of acute observational skills, Williams-Bulkeley sees beauty where others might not and transforms even the mundane into highly aesthiticised and beautiful objects, as can be seen in works such as Still Life with Plastic.

     

    Like many of the greatest artists before him, Williams-Bulekely is self-taught. He established his reputation in London at the Royal Society of Portrait paintings, Royal Institute of Oil Painters and the NEAC. He has recently been made a member of the Guild of Boston Artists.

  • John Hoyland, Untitled 12, 1981
    Artworks

    John Hoyland

    Untitled 12, 1981

    John Hoyland RA (1934 – 2011) was a British artist and one of Britain’s leading abstract painters. He was greatly influenced by the American Abstract expressionists and exhibited widely during his lifetime and is held in many significant collections.  Perhaps most famously, Hoyland is collected by Damien Hirst. The YBA dedicated the opening show of his Newport Street gallery in 2009 to a solo exhibition by Hoyland.

  • John Hoyland RA (1934 – 2011) was a British artist and one of Britain’s leading abstract painters. He was greatly influenced by the American Abstract expressionists and exhibited widely during his lifetime and is held in many significant collections.  Perhaps most famously, Hoyland is collected by Damien Hirst. The YBA dedicated the opening show of his Newport Street gallery in 2009 to a solo exhibition by Hoyland.

     

  • Jemma Powell, Holiday chaos, 2020
    Artworks

    Jemma Powell

    Holiday chaos, 2020

    Jemma Powell (b. 1980) is an artist working in Oxfordshire who embraces observational preliminary drawing before working in oils, often through memory, to produce highly sensual works. Powell’s technique embraces making mistakes working intuitively through the process of applying the paint, wiping it off, reapplying with brush or palette knife, scrubbing it and using her fingers to make expressive marks, “I like the mistakes, they are the most exciting part, things start to appear and the painting takes on a life of its own.” Powell treats her still lifes and interiors as she would a landscape, simply another way of expressing colour, shape and form. The results are beautifully composed and balanced paintings that bring the viewer into a tranquil and contented place full of scent, taste and warm sunlight. Powell is also an actress and attended Bristol University and has a BA in Drama as well as a Diploma in acting from The Oxford School of Drama.

    • Jemma Powell, Nature’s a Treat
      Artworks

      Jemma Powell

      Nature’s a Treat
      oil on board
      47 x 75 cm
    • Jemma Powell, Juicy Apples
      Artworks

      Jemma Powell

      Juicy Apples
      oil on board
      41 x 51 cm unframed
      58.5 x 68 cm framed
    • Jemma Powell, Holiday chaos, 2020
      Artworks

      Jemma Powell

      Holiday chaos, 2020
      oil on board
      38 x 49 cm
  • Daniel Crawshaw, Llyn Llydaw, 2016
    Artworks

    Daniel Crawshaw

    Llyn Llydaw, 2016

    British artist Daniel Crawshaw (b. 1967), is a painter intrigued by the fragile potential of mountains and is an obsessive gatherer of material. Walking in the peaks of North Wales, the Pyrenees or Canada, he photographs and distills experiences into emotive paintings that reflect both the beauty and daunting isolation of nature and the elements, in varying scale. Crawshaw says, ‘Through oil paint I hope to articulate lost moments common to us all and relish the possibility of transforming empty scenes into settings for others to occupy’.

     

    • Daniel Crawshaw, Carnedd Llewelyn, 2016
      Daniel Crawshaw, Carnedd Llewelyn, 2016
    • Daniel Crawshaw, Carnedd Llewelyn, 2021
      Daniel Crawshaw, Carnedd Llewelyn, 2021
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    • Daniel Crawshaw, Pineta I, 2020
      Daniel Crawshaw, Pineta I, 2020
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    • Daniel Crawshaw, Pineta III, 2020
      Daniel Crawshaw, Pineta III, 2020
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      Daniel Crawshaw, Pineta III, 2020
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  • Rosannagh Scarlet Esson, Vernal , 2021
    Artworks

    Rosannagh Scarlett Esson

    Vernal , 2021

     Rosannagh Scarlett Esson graduated from Oxford Brookes in 2016 with First Class Honours in Fine Art and was awarded the Fine Art Dissertation Prize for the best critical submission in the year. Based at her studio in Oxfordshire, Rosannagh’s work explores the alchemy of painting by abstracting colour and form through exposure to elemental forces. Symbolic and unconventional materials are mixed in experimental ways that work with, rather than against, the transformative effects of fire, rain, ice, time or gravity to reflect the untameable nature of the elements, and the duality of creation and destruction. Themes explored include wildness, rewilding, ecological succession and alchemical symbolism. Since graduating, Rosannagh has exhibited in the UK and Europe, and has work in several private collections across the UK.

  • Manijeh Yadegar Hall, C7-07, 2007
    Artworks

    Manijeh Yadegar Hall

    C7-07, 2007

    Manijeh Yadegar Hall was born in Esfahan, Iran and came to England when she was just thirteen. She trained at Chelsea and Camberwell School of Art in London. Although she worked in comparative seclusion since her student days, during her lifetime she was the subject of five solo exhibitions in London, South Korea and Sweden and contributed to over fifty group exhibitions worldwide. In 2001 she was artist in residence, at Chretzeturm, Stein am Rhein, Switzerland. Her work is represented in the collections of Deutsche Bank, London; The Contemporary Art Society, London; Iowa University; Saïd Business School University of Oxford; and many private collections in England and abroad. A solo exhibition was held in Venice and London by Zuleika Gallery, London in 2018. In 2021 eight of Yadegar Hall’s work have been acquired for the collection of the British Museum.

  • Keith Vaughan

    • Keith Vaughan, Abstracted figure, early 1960s
      Keith Vaughan, Abstracted figure, early 1960s
    • Keith Vaughan, Bather in a wood, 1961
      Keith Vaughan, Bather in a wood, 1961
    • Keith Vaughan, Beach Scene, 1947
      Keith Vaughan, Beach Scene, 1947
    • Keith Vaughan, Figures seated at a table
      Keith Vaughan, Figures seated at a table
      Available
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    • Keith Vaughan, Study of six male heads
      Keith Vaughan, Study of six male heads
  • Keith Vaughan

    Keith Vaughan (1912 - 1977) was self-taught artist and his first exhibitions took place during the war. In 1942 he was stationed at Ashton Gifford near Codford in Wiltshire, and paintings from this time include The Wall at Ashton Gifford (Manchester Art Gallery). During the war Vaughan formed friendships with the painters Graham Sutherland and John Minton, with whom after demobilisation in 1946 he shared premises. Through these contacts he formed part of the neo-romantic circle of the immediate post-war period. However, Vaughan rapidly developed an idiosyncratic style which moved him away from the Neo-Romantics. Concentrating on studies of male figures, his works became increasingly abstract.

  • Rachel Gracey

    • Rachel Gracey R.E., The Parks 8
      Rachel Gracey R.E., The Parks 8
      Available
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    • Rachel Gracey R.E., The Parks 6
      Rachel Gracey R.E., The Parks 6
      Available
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    • Rachel Gracey R.E., The Parks 19
      Rachel Gracey R.E., The Parks 19
      Available
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    • Rachel Gracey R.E., The Parks 18
      Rachel Gracey R.E., The Parks 18
      Available
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    • Rachel Gracey R.E., The Parks 11
      Rachel Gracey R.E., The Parks 11
      Available
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    • Rachel Gracey R.E., The Parks 1
      Rachel Gracey R.E., The Parks 1
      Available
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    • Rachel Gracey R.E., South South-West 12, 2018
      Rachel Gracey R.E., South South-West 12, 2018
      Available
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    • Rachel Gracey R.E., South South-West 10, 2018
      Rachel Gracey R.E., South South-West 10, 2018
      Available
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  • Rachel Gracey is an artist thrilled by the power of nature. A contemporary printmaker, at the core of her practice we find the created world in all its undulating forms - from the roiling seas off the British Isles, to pastoral landscapes, tended parks and more recently, the rugged terrain of California. The wide open skies of this State were an obvious draw for an artist who has always been fascinated by monumentality and the respect engendered by an art work so immense its scale is utterly absorbing and the effect on the viewer, transformative. 

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  • Willard Boepple, 1.12.17, 2016
    Artworks

    Willard Boepple

    1.12.17, 2016

    Willard Boepple was born in Bennington, Vermont, in 1945. He studied at Skowhegan School of Painting (1963), the University of California at Berkeley (1963-64), Rhode Island School of Design (1997) and College of the CIty Univeristy of New York (1968). He was technical assistant at Bennington College (1969-73) and on the faculty of the School of the Museum of Fine Arts Boston, Massachusetts, from 1977 to 1987. Willard now lives and works in New York, USA.

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  • Stuart Hartley

    Born in 1970 - St Helen's, England - Stuart Hartley is a visual artist who lives and works in London. Known for fusing painting and sculpture, his artwork realises 'the presence of an incident' physically by isolating moments or encounters that interrupt the routine structure of daily life. 

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  • Michael Craig-Martin

    Irish conceptual artist Michael Craig-Martin b.1941 is known for fostering and adopting the Young British Artists, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths.

  • Sir Terry Frost RA, Sun over the Sea
    Artworks

    Sir Terry Frost

    Sun over the Sea

    Sir Terry Frost (1915 - 2003) became one of Britain's most prominent abstract artists. He wasrenowned for his use of the Cornish light, colour and shape to start a new art movement in England. He became a leading exponent of abstract art and a recognised figure of the British art establishment under the guidance of Victor Pasmore and the influence of the St Ives artists (including Ben Nicholson and Peter Lanyon) producing three-dimensional work, and experimenting with collage and constructions.

    • Sir Terry Frost, Mood board for the Rape of Lucretia, 2003
      Sir Terry Frost, Mood board for the Rape of Lucretia, 2003
      Enquire
      %3Cspan%20class%3D%22artist%22%3E%3Cstrong%3ESir%20Terry%20Frost%3C/strong%3E%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title%22%3E%3Cem%3EMood%20board%20for%20the%20Rape%20of%20Lucretia%3C/em%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E2003%3C/span%3E
    • Sir Terry Frost RA, Sun over the Sea
      Sir Terry Frost RA, Sun over the Sea
      Enquire
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  • John Piper CH, Caerfarschell, Pembrokeshire
    Artworks

    John Piper CH

    Caerfarschell, Pembrokeshire

    John Piper CH (1903-1992) was a British painter and book illustrator. Regarded as a pioneer of Modern Art, Piper's oeuvre provides an important and affecting view of mid-century England. His work not only naturalistically represents the structures and landscape of his subjects, but uses the language of abstraction to develop an internal relationship to the setting, instilling a sense of tone and atmosphere into his paintings. Born on December 13, 1903 in Surrey, England, he went on to study at the Richmond School of Art and the Royal College of Art. Piper gradually began exhibiting and distributing his work throughout the United Kingdom until the start of World War II, when he was contracted to become a wartime artist. Concentrating on ravaged architecture, Piper was given unprecedented access to official bunkers and control headquarters, culminating in some of the most touching and revealing works produced during the war. Piper gained considerable acclaim until his death on June 28, 1992 in Fawley Bottom, England. Today many of his works can be found in prominent institutions, such as the Tate in London.

  • Jeff Koons, Flower Drawing, 2019
    Artworks

    Jeff Koons

    Flower Drawing, 2019
    Highly reflective silver foil on top of an archival pigmented inkjet print of watercolor and tempura brushstrokes on Canson Plantine Fibre Rag 310g paper.
    55.9 x 71.1 cm
    22 x 28 in
    Edition of 50
  • Tamsin Relly

    Tamsin Relly’s multi-disciplinary practice includes painting, printmaking and photography. South Africa born, she moved to London in 2009 and received her MA in Fine Art at City & Guilds of London Art School in 2011.

     

    Relly’s work reflects on the increasingly disrupted environmental conditions of a shifting global climate, and considers the erasure and construction of wilderness, whether for industry or leisure. Recent projects explore the preservation of arboreal and botanical environments through conservation, urban parks, and memory – be it personal, collective or held within the land.

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  • Amy Stephens

    "Within my practice, I work with an array of colourful objects and neon tape that is often used to highlight a specific architectural feature or it might be used as a hazard tape to alert the viewer about the object in front of them. This is where the introduction of neon began in my practice.” Amy Stephens, 2021.

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